Broadside: Der Paradyss Vogel (The Greater Bird of Paradise [Paradisaea apoda])
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Classification:
Highlight:
Not promoted
Date:
ca. 1550
Medium:
Wood block print (broadside) hand-colored with watercolor washes, formerly laid on an album page.
Dimensions:
Overall: 11 3/16 x 15 3/4 in. (28.4 x 40 cm), irregular
Description:
Avian Print
Object Number:
1889.10.2.56
Inscriptions:
Printed inscription in German cut off at the right margin.
Date Begin:
1545
Date End:
1555
eMuseum Object ID:
62183
Due to ongoing research, information about this object is subject to change.
Silent: Four Wildlife Illustrations
Classification:
Date:
20th Century
Medium:
Watercolor, gouache, and graphite on beige paper
Dimensions:
0verall: 11 1/4 x 6 1/8 in. (28.6 x 15.6 cm)
Description:
Two Views of an Owl Pursuing a Flying Squirrel, A Mountain Lion Stalking Big Horn Sheep, A Mountain Lion Leaping after a Mule Deer, 20th Century
Object Number:
Z.3456
Date Begin:
20
Date End:
20
eMuseum Object ID:
61767
Due to ongoing research, information about this object is subject to change.
Naval Battle Scene: A Shot at the Monitor
Classification:
Highlight:
Not promoted
Date:
1862-1864
Medium:
Black ink and crayon with graphite on beige paper mounted on illustration board.
Dimensions:
0verall: 13 1/8 x 18 1/8 in. (33.3 x 46 cm)
Credit Line:
Gift of Harshaw Scott
Object Number:
Z.3455
Inscriptions:
Signed at lower right in black ink: TABER; verso inscribed at center in blue crayon: " A Shot a the Monitor"; with various publications annotations
Provenance:
Harshaw Scott, lithographer and printer
Date Begin:
1862
Date End:
1864
eMuseum Object ID:
61766
Due to ongoing research, information about this object is subject to change.
Naval Battle Scene: Sinking the Japanese Ships, 1880s
Classification:
Highlight:
Not promoted
Date:
1880's ?
Medium:
Black ink and crayon over graphite on beige paper mounted on illustration board;
Dimensions:
0verall: 12 5/8 x 19 1/4 in. (32.1 x 48.9 cm)
Credit Line:
Gift of Harshaw Scott
Object Number:
Z.3454
Inscriptions:
Signed at lower left in the bank ink: TABER; verso inscribed at center in blue crayon: "[cut] Sinking the Japanese Ships"; with various publication annotations; at upper left vertically: From H. SCOTT/ 164 East 107th Street, /NEW YORK
Provenance:
Harshaw Scott, lothographer and printer. Copyrighted by the Century Co. of New York (Century Magazine)
Date Begin:
1880
Date End:
1880
eMuseum Object ID:
61765
Due to ongoing research, information about this object is subject to change.
Panoramic View of New York City
Classification:
Date:
1842-45
Medium:
Black ink over graphite on eight sheets of ivory paper with partial black ink borders, laid on Japanese paper
Dimensions:
Overall: 13 x 240 in. ( 33 x 609.6 cm )
frame: 19 1/2 x 66 1/2 in. ( 49.5 x 168.9 cm )
Credit Line:
Gift of Mrs. Harold Farquhar Hadden (Valerie Burckhardt), daughter of the artist
Object Number:
1915.76.7-8
Provenance:
Descent through artist's family
Date Begin:
1842
Date End:
1845
eMuseum Object ID:
61764
Due to ongoing research, information about this object is subject to change.
Panoramic View of New York City
Classification:
Date:
1842-45
Medium:
Black ink over graphite on eight sheets of ivory paper with partial black ink borders, laid on Japanese paper
Dimensions:
Overall: 13 x 240 in. ( 33 x 609.6 cm )
frame: 19 1/2 x 66 1/2 in. ( 49.5 x 168.9 cm )
Credit Line:
Gift of Mrs. Harold Farquhar Hadden (Valerie Burckhardt), daughter of the artist
Object Number:
1915.76.5-6
Provenance:
Descent through artist's family
Date Begin:
1842
Date End:
1845
eMuseum Object ID:
61763
Due to ongoing research, information about this object is subject to change.
Panoramic View of New York City
Classification:
Date:
1842-45
Medium:
Black ink over graphite on eight sheets of ivory paper with partial black ink borders, laid on Japanese paper
Dimensions:
Overall: 13 x 240 in. ( 33 x 609.6 cm )
frame: 19 1/2 x 66 1/2 in. ( 49.5 x 168.9 cm )
Credit Line:
Gift of Mrs. Harold Farquhar Hadden (Valerie Burckhardt), daughter of the artist
Object Number:
1915.76.3-4
Provenance:
Descent through artist's family
Date Begin:
1842
Date End:
1845
eMuseum Object ID:
61762
Due to ongoing research, information about this object is subject to change.
Panoramic View of New York City
Classification:
Date:
1842-45
Medium:
Black ink over graphite on two sheets of ivory paper with partial black ink borders, laid on Japanese paper, mounted together.
Dimensions:
Overall: 13 x 240 in. ( 33 x 609.6 cm )
frame: 19 1/2 x 66 1/2 in. ( 49.5 x 168.9 cm )
Credit Line:
Gift of Mrs. Harold Farquhar Hadden (Valerie Burckhardt), daughter of the artist
Object Number:
1915.76.1-2
Provenance:
Descent through artist's family
Date Begin:
1842
Date End:
1845
eMuseum Object ID:
61761
Due to ongoing research, information about this object is subject to change.
The Studio, West Nyack, New York
Classification:
Date:
After 1870, before 1890
Medium:
Watercolor and gouache over graphite on ivory paper
Dimensions:
Overall: 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm)
Credit Line:
Gift of May Brawley Hill
Object Number:
2007.5.3
Inscriptions:
Verso: LL in graphite: LAKE GEORGE N.Y. JH; LR in graphite: asters and golden rod / SEPT. 9
Gallery Label:
Of English descent, John Henry Hill was the third and final representative of the Hill family artistic dynasty. He was the son of John William Hill (1812-1879), the American Pre-Raphaelite painter influenced by John Ruskin, and the grandson of John Hill (1770-1850), the esteemed engraver of many seminal early American landscapes, among them The Hudson River Portfolio (1820-25) after watercolors by William Guy Wall.
Not surprisingly, John Henry Hill studied under his father and in 1856 exhibited for the first time at the National Academy of Design. Three years later he became an associate member, and thereafter exhibited his watercolors, aquatints, and etchings in New York City and Philadelphia. In 1864-65 he spent about eight months in England, studying the work of J.M.W. Turner and other British artists. He published twenty-four of his etchings in 1867 under the title Sketches from Nature. In 1868 he went West, accompanying Clarence King's surveying expedition in California, Nevada, Idaho, and Utah. A decade later, in 1878, he made a second visit to England, subsequently traveling on the Continent the following year. After his father's death he returned home and in 1888 he published An Artist's Memorial in honor of him.
Date Begin:
1870
Date End:
1870
eMuseum Object ID:
61710
Due to ongoing research, information about this object is subject to change.
Long Lake (Adirondacks), New York
Classification:
Date:
After 1870, before 1890
Medium:
Graphite on ivory paper
Dimensions:
Overall: 7 1/16 x 10 in. (17.9 x 25.4 cm)
Credit Line:
Gift of May Brawley Hill
Object Number:
2007.5.2
Inscriptions:
obverse, LL in graphite: LONG LAKE; obverse LR in graphite: SKETCH FROM OUR CAMPING SPOT AUG. 8
Gallery Label:
Of English descent, John Henry Hill was the third and final representative of the Hill family artistic dynasty. He was the son of John William Hill (1812-1879), the American Pre-Raphaelite painter influenced by John Ruskin, and the grandson of John Hill (1770-1850), the esteemed engraver of many seminal early American landscapes, among them The Hudson River Portfolio (1820-25) after watercolors by William Guy Wall.
Not surprisingly, John Henry Hill studied under his father and in 1856 exhibited for the first time at the National Academy of Design. Three years later he became an associate member, and thereafter exhibited his watercolors, aquatints, and etchings in New York City and Philadelphia. In 1864-65 he spent about eight months in England, studying the work of J.M.W. Turner and other British artists. He published twenty-four of his etchings in 1867 under the title Sketches from Nature. In 1868 he went West, accompanying Clarence King's surveying expedition in California, Nevada, Idaho, and Utah. A decade later, in 1878, he made a second visit to England, subsequently traveling on the Continent the following year. After his father's death he returned home and in 1888 he published An Artist's Memorial in honor of him.
Date Begin:
1870
Date End:
1870
eMuseum Object ID:
61709
Due to ongoing research, information about this object is subject to change.














