A pinback campaign button divided horizontally into red and blue sections around an outline of the United states and photographs of Lyndon Johnson and Hubert Humphrey encircled by the words in white "Johnson-Humphrey/ Vote Democratic". Lyndon Baines Johnson, (1908-1973); Democrat; U.S. Representative from Texas 10th District, 1937-49; U.S. Senator from Texas, 1949-61; Vice President of the United States, 1961-63; President of the United States, 1963-69. Hubert Horatio Humphrey, Jr., (1911-1978); pharmacist; mayor of Minneapolis, Minn., 1945-48; U.S. Senator from Minnesota, 1949-64, 1971-78; died in office 1978; candidate for Democratic nomination for Vice President, 1956; Vice President of the United States, 1965-69; Democratic candidate for President of the United States, 1968.

A white pinback campaign button printed with three blue letter "H's" with stars above the word in red "Humphrey". Hubert Horatio Humphrey, Jr. (hence the "HHH") (1911-1978); pharmacist; mayor of Minneapolis, Minn., 1945-48; U.S. Senator from Minnesota, 1949-64, 1971-78; died in office 1978; candidate for Democratic nomination for Vice President, 1956; Vice President of the United States, 1965-69; Democratic candidate for President of the United States, 1968.

A red pinback campaign button with a blue central band bordered in white and printed "Marchi". John J. Marchi, (b. 1921) of Staten Island, N.Y.; Republican; Lawyer; member of New York state senate, 1957-90 (19th District 1957-65, 26th District 1966, 24th District 1967-90); candidate for mayor of New York, N.Y., 1969, 1973.

A white pinback campaign button printed in blue "Fisher For Congress". Arthur D. Fisher, Republican, candidate for U.S. Representative from New York 22nd District, 1938.

An ivory colored pinback button printed in red "Works Progress Administration N.Y.C./ North Beach Airport/ 247424". Brought into being on May 6, 1935, the Works Progress Administration was the Federal Government¿s most ambitious undertaking yet to provide employment for the jobless. Except for local grants, unemployed office workers, teachers and professors, artists, performers, and musicians were largely ignored, with the exception of the CWA's Public Works of Art Project. It gave work to over 3,600 artists in the 48 states to create murals and sculptures for public buildings but ended in 1934 when the CWA was terminated, but it set the stage for the later establishment of the WPA¿s art, music, theater, and writers¿ projects. The Works Progress Administration of 1935 continued the work of building and improving a wide variety of public facilities. It differed, however, from the previous programs by also addressing the employment needs of non-construction workers. For example, it assisted communities in expanding educational, library, health, and related community projects. Professional and white collar workers, on the other hand, found employment with ¿Federal One.¿ Federal Project No. 1 of the Works Progress Administration was developed to give artistic and professional work to the unemployed who qualified. It consisted of the Federal Art Project (FAP), Federal Music Project (FMP), Federal Theatre Project (FTP), the Federal Writers¿ Project (FWP), and the Historical Records Survey (HRS).

This clear glass bottle has a metal shaker top and red enamel on the sides the reads, in part, "Buitoni/ Parmesan Cheese (mild)" with suggestions for serving and an enamel image of the country of Italy on the back.

This clear glass bottle has a wire bail for prying the gold colored metal cap off. The cap reads in black "Ann Page/ To Remove Lift Opener-To Reclose Snap On".

This rectangular clear glass bottle is completely embossed with a honeycomb pattern and at the top the words "Lake Shore Honey/ Store In A Warm Place". The gold colored sliding metal lid was designed to deter drips and reads "Lake Shore No-Drip Honey Server/ Slide Forward To Cut Flow".

This pin back button is yellow with blue and white printing that reads "We Proudly Serve.../ Hellman's Real Mayonnaise", with a little blue ribbon above the name.

This giant red white and blue pencil advertises baking soda. It reads on alternating faces " 'Arm & Hammer' For Ever/ 'Great Soda'/ America For Ever/ Freedom For Ever". Possibly from the World War II era. On the back end of the pencil is a metal stamp with the Arm & Hammer symbol and "Church & Co. Soda" embossed.