Beige silk brocade with pink, rose, blue, lightblue, green, chartreuse, tan and brown flower pattern all over jacket style bodice; appears to have a square neckline; short fitted sleeves; patially lined with white cotton chintz; boned.

Cream silk wedding dress; corset style fitted bodice with deep pointed V-waistline; square neckline trimmed with cream silk cord and hand made bobbin lace in a floral and leaf pattern; back cut in a V-shape; puffed cap sleeves trimmed with the same lace; waistline trimmed with the cream cord; cream silk ribbon ties for the corset back; two metallic embroidered paraments with pearl and cloth covered beads appliquéd over the breast; unlined and boned interior; pleated and slightly bustled skirt with a long padded train; pleated and draped in the front producing an apron-like effect with a pleated ruffle around the bottom; interior pleated ruffle with machine-made bobbin lace under the outer ruffle and along the edges of the train; ten of the paraments also worn at the breast decorate the outer edges of the draped front; lined with a stiff cotton net; closed with metal hooks and eyes at the back.

Cream cotton wedding veil; hand worked on machine-made net; large floral pattern of bobbin and needlepoint lace with openwork in some of the roses along the scalloped edge; diamond needlework pattern along the opening for the head.

Buffalo pelt with remnant of felt backing stitched to one side.

Pair of yellow leather wedding slippers; low wooden peg heels; pointed toes; seams across the instep and up the heel; lined with white cotton.

Yellow and cream silk brocade dress a` l' Anglaise of English "lace" period textile design, possibly Anna Maria Garthwaite; fitted bodice cut separately from skirt with pleat from back of shoulder continuing down front (originally it would have been a robe and been known as "robe a`l'Anglaise"; originally worn pinned to sides of matching stomacher (no longer extant, but possibly made into front waist fitting); yellow brocade piece turned to cross grain and made into front waist fitting attached below a silk chiffon modesty piece creating a low square neckline (all alteration - sub index letter e); three-quarter length fitted sleeves with large turned-back cuff and needlepoint lace ruffles with a floral pattern at the edge; full round skirt and matching petticoat with pleats at sides; needlepoint net and lace engageantes not original to dress.

White linen fitted corset cover; button-down front, round neckline with a thin linen drawstring; cap sleeves; eyelet lace trim around the neckline and the sleeves.

White cotton petticoat worn over a hoop with a drawstring waist; bottom has a scalloped edge and a floral open work border with bobblin lace work in the center of the flowers.

Maroon silk velvet knee length coat with pink silk pointed lapels; sixteen metal buttons from the waist to the knee with gold cord button holes; vertical slash pockets at the hips decorated with seven lines of gold cord and twenty-one metal buttons on each side (three buttons for each row of cord), lined with pink silk; long sleeves slashed open on the inside from the elbow to wrist, interior sleeve of gold needlepoint guipures lace with a diamond and scroll design; outer sleeve decorated with metallic bows above the opening and nine metal buttons and gold cord button holes along the opening of each; coat lined with pink silk; slit up the back of coat to the waist decorated with fifteen buttons and gold cord lines on each side; each side gathered and pleated with metal buttons at the small of the back.

White cotton dickey with a pleated neckline attaching in the back with metal hooks and eyes; machine-made bobbin lace ruffle in the front; cotton ties at the bottom.