Kerchief

Classification: 
Date: 
1928
Medium: 
Silk
Dimensions: 
Overall: 18 1/4 x 14 1/4 in. ( 46.4 x 36.2 cm )
Description: 
Silk crepe Alfred E. Smith presidential campaign kerchief; sepia portrait of Smith at center with facsimile signature below; red, white and blue border.
Credit Line: 
Purchase
Object Number: 
2003.94
Gallery Label: 
This kerchief was used for the presidential campaign of New York Governor Alfred E. Smith in 1928. Smith lost the election to Republican Herbert Hoover.
Bibliography: 

Herbert Ridgeway Collins, Threads of History: Americana Recorded on Cloth, 1775 to the Present (Washington, DC: Smithsonian Institution, 1979), 414.

Date Begin: 
0
Date End: 
1928
eMuseum Object ID: 
54982
Due to ongoing research, information about this object is subject to change.

Campaign handkerchief

Classification: 
Date: 
1940
Medium: 
Linen
Dimensions: 
Overall: 11 x 10 1/2 in. ( 27.9 x 26.7 cm )
Description: 
White linen campaign handkerchief; top hat and "Roosevelt" embroidered in red and blue in lower right corner.
Credit Line: 
Purchase
Object Number: 
2003.92
Marks: 
embroidered: in corner: "Roosevelt"
Gallery Label: 
This handkerchief was used in the 1940 presidential campaign of Franklin D. Roosevelt.
Bibliography: 

Herbert Ridgeway Collins, Threads of History: Americana Recorded on Cloth, 1775 to the Present (Washington, DC: Smithsonian Institution, 1979), 451.

Date Begin: 
0
Date End: 
1940
eMuseum Object ID: 
54981
Due to ongoing research, information about this object is subject to change.

Scarf

Classification: 
Date: 
1968
Medium: 
Acetate
Dimensions: 
Overall: 13 1/2 x 44 3/4 in. ( 34.3 x 113.7 cm )
Description: 
Acetate Richard Nixon campaign scarf with background of shades of blue and red with "Nixon" printed four times in white in script from.
Credit Line: 
Purchase
Object Number: 
2003.91
Gallery Label: 
This scarf, designed in the "groovy" aesthetic of the 1960s, was issued during Richard M. Nixon's 1968 bid for the presidency.
Bibliography: 

Herbert Ridgeway Collins, Threads of History: Americana Recorded on Cloth, 1775 to the Present (Washington, DC: Smithsonian Institution, 1979), 523.

Date Begin: 
0
Date End: 
1968
eMuseum Object ID: 
54980
Due to ongoing research, information about this object is subject to change.

Theodore Roosevelt 1904 Universal Exposition Ribbon

Classification: 
Date: 
1904
Medium: 
Silk
Dimensions: 
Overall: 7 3/8 x 2 7/8 in. ( 18.7 x 7.3 cm )
Description: 
Jaquard woven green and white silk ribbon depicting bust-length portrait of Theodore Roosevelt within oval medallion surrounded by laurel wreath; inscription above: "THEODORE ROOSEVELT"; below is scroll inscribed in black: "ST. LOUIS/UNIVERSAL EXPOSITION/1904"; inscription beneath scroll: "JOHNSON, COWDIN & CO./NEW YORK./PATERSON,N.J./PHOENIXVILLE, P.A."
Object Number: 
INV.7395
Date Begin: 
0
Date End: 
1904
eMuseum Object ID: 
54938
Due to ongoing research, information about this object is subject to change.

W.04

Classification: 
Date: 
2004
Medium: 
Cotton
Dimensions: 
Overall: 21 1/2 x 21 3/8 in. ( 54.6 x 54.3 cm )
Description: 
Red square cotton handkerchief printed in beige. Inscribed "W'04" in oval fields sugesting rope lassos. Machine overlocked hem.
Credit Line: 
Purchase
Object Number: 
2004.9
Gallery Label: 
Today's political memorabilia is dominated by the campaign T-shirt, baseball cap, bumper sticker, and coffee mug; bandannas are rarely produced as an official campaign item. However, the George W. Bush campaign created a whole line of "ranch" items reflecting the president's Texas roots, including this bandanna. In the age of text-messaging, it is assumed that voters will have no trouble identifying the candidate by a single initial.
Date Begin: 
0
Date End: 
2004
eMuseum Object ID: 
54847
Due to ongoing research, information about this object is subject to change.

Pieced and appliquéd quilt squares (3)

Classification: 
Date: 
1873-1875
Medium: 
Cotton, pencil and ink
Description: 
Three cotton quilt squares, one with pieced "Lemoyne Star," one with a "Dutch Tulip" variation motif with petal-shaped pieces, and one with appliquéd maltese cross.
Object Number: 
INV.11961a-c
Gallery Label: 
The "Dutch Tulip" variation pieced square inscribed with "Miss Clara Bidwell" (INV.11961a) and the appliquéd maltese cross square inscribed "Mrs. M. Quigley" (INV.11961b) are related, as they are of similar size, white cotton ground, and hand of inscribed signatures. Their fabrics also date to the same period, c. 1870. The pieced "Lemoyne Star" (INV.11961c) square does not relate to the other two as it is of a smaller size, a slightly different white cotton ground and contains no signature.
Date Begin: 
0
Date End: 
1875
eMuseum Object ID: 
53148
Due to ongoing research, information about this object is subject to change.

Appliquéd quilt square

Classification: 
Date: 
ca. 1873
Medium: 
Cotton, ink and pencil
Dimensions: 
Overall: 8 3/4 x 8 5/8 x 1/8 in. ( 22.2 x 21.9 x 0.3 cm )
Description: 
White cotton plain-weave quilt square centering an appliqéd maltese cross applied by running machine-stitching in white cotton thread; cross of copper and brown madder-dyed star printed calico; "Mrs. M. Quigley" inscribed by hand on obverse and "Quigley" signed in pencil on the reverse.
Object Number: 
INV.11961b
Marks: 
handwritten in ink: on obverse: "Mrs M Quigley" handwritten in pencil: on reverse: "Quigley"
Gallery Label: 
The appliquéd maltese cross design was probably cut from a pattern before being applied to the square, as was often done by quilt makers when creating friendship, album or signature quilts or quilt squares. Popular in the mid-nineteenth century, these quilts were usually given to an individual to commemorate a birth, marriage or move away from the local area. Squares were often given as keepsakes to ladies of a community or church congregation who were moving west. Relates to INV.11961a.
Date Begin: 
0
Date End: 
1873
eMuseum Object ID: 
53147
Due to ongoing research, information about this object is subject to change.

Sampler

Classification: 
Date: 
1836
Medium: 
Linen, silk
Dimensions: 
frame: 18 7/8 x 13 in. ( 47.9 x 33 cm )
Description: 
Rectangular sampler worked in silk on a linen ground; four alphabets, one series of numbers, in different stitches; Catherine's name stitched twice, as well as once incomplete at the bottom; poem about death, incomplete, at lower left, with basket of flowers at right; all surrounded by wavy strawberry border.
Credit Line: 
Purchase
Object Number: 
2003.13
Marks: 
inscription: embroidered verse: "Ye Lovely bands of blooming youth/Warned by the voice of heavenly truth/Now yield to Christ your youthful prime/ With all your talents and your time/ Think on your end nor thoughtless say/all put far of the evil day/for no
Gallery Label: 
Catherine Kip (1824-1836), the daughter of Leonard William Kip and Anna Corbet, was working this sampler at the time of her death at age twelve. A typical sampler of the 1830s, it includes the alphabet worked in various stitches and a poem about the fleeting qualities of youth. Catherine was a descendent of Jacobus Kip, whose farm covered much of today's Kips Bay in the 17th century. Her family lived at 94 Spring Street, near Broadway.
Date Begin: 
0
Date End: 
1836
eMuseum Object ID: 
52184
Due to ongoing research, information about this object is subject to change.

Sampler

Classification: 
Date: 
1803
Medium: 
Linen, silk
Dimensions: 
Framed: 19 1/2 x 18 in. (49.5 x 45.7 cm)
Description: 
Rectangular linen sampler worked in various colors of silk floss; alphabets and verse worked in cross and eyelet stitches, framing tree flanked by baskets of flowers; side borders with meandering floral vine; upper and lower borders arcaded with alternating bird and floral motifs.
Credit Line: 
Gift of Pamela Daly Vose Estate
Object Number: 
2003.85.2
Marks: 
stitched: "Clarissa Ward Was born Oct 6th 1795" stitched: "A comely sight indeed it is to see/ a world of blossoms on an apple tree/ Yet far more comely would this tree appear if all its dainty blooms young apples were" stitched: "But how much more migh
Gallery Label: 
Clarissa Ward (1795-1878) was the second eldest of Jonathan and Sarah Brown Ward's thirteen children. Born in the rural village of Eastchester, today a neighborhood in the northeastern Bronx, Clarissa and her sister Harriot (2003.85.1) probably worked their samplers at a girls' school in nearby New Rochelle or Manhattan. Neither Clarissa nor Harriot ever married. Clarissa's verse is from John Bunyan's "A Book for Boys and Girls," published in London in 1701.
Date Begin: 
0
Date End: 
1803
eMuseum Object ID: 
50864
Due to ongoing research, information about this object is subject to change.

Sampler

Classification: 
Date: 
1799
Medium: 
Linen, silk
Dimensions: 
Framed: 20 x 20 1/2 in. (50.8 x 52.1 cm)
Description: 
Rectangular linen sampler worked in various colors of silk floss; eight lines of prose worked in cross stitch; one line with name worked in Queen's stitch; basket of flowers and tree motifs below; deep arcaded border with birds and floral motifs.
Credit Line: 
Gift of Pamela Daly Vose Estate
Object Number: 
2003.85.1
Marks: 
stitched: "Harriot Ward is my name New York is my Station Heaven I hope my Dwelling Place and Christ is my Salvation when I am dead and in my Grave and all my bones are rotten when this you see remember me that i am not forgotten" stitched: "Harriot Ward
Gallery Label: 
Harriot Ward (1794-1875) was the eldest of Jonathan and Sarah Brown Ward's thirteen children. Born in the rural village of Eastchester, today a neighborhood in the northeastern Bronx, Harriot and her sister Clarissa (2003.85.2) probably worked their samplers at a girls' school in nearby New Rochelle or Manhattan. Harriot never married, but put her sewing skills to use working as a dressmaker in Manhattan in the 1860s.
Date Begin: 
0
Date End: 
1799
eMuseum Object ID: 
50863
Due to ongoing research, information about this object is subject to change.

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Creative: Tronvig Group