Uniforms of the American Revolution: Officers, Massachusetts Regiment, "Knox's Artillery"
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Classification:
Highlight:
Not promoted
Date:
c. 1910
Medium:
Watercolor, gouache, black ink, and graphite on board
Dimensions:
Overall: 14 7/8 x 9 3/8 in. ( 37.8 x 23.8 cm )
mat: 21 x 14 1/4 in. ( 53.3 x 36.2 cm )
Credit Line:
Gift of Charles MacKubin Lefferts
Object Number:
1922.146
Marks:
signature: lower left: "Chas M. Lefferts"
Inscriptions:
Signed at lower left in brown watercolor: "Chas. M. Lefferts"; inscribed at lower center: "Parade Dress"; along upper edge: "Officers of the, Massachusetts Regt. of Artillery 1775-6 'Knox's Artillery' "
Gallery Label:
This is one of the original studies by Lefferts for his landmark Uniforms of the American, British, French, and German Armies in the War of the American Revolution, 1775-1783, published by the Society in 1926. The result of a lifetime of research by the artist and author, this volume was the first major published treatise on regimental uniforms of the Revolutionary war.
Date Begin:
0
Date End:
1922
eMuseum Object ID:
38038
Due to ongoing research, information about this object is subject to change.
Uniforms of the American Revolution: Corporal, 2nd Canadian Regiment of Infantry, British Army
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Classification:
Highlight:
Not promoted
Date:
c. 1910
Medium:
Watercolor, gouache, black ink, and graphite on board
Dimensions:
Overall: 14 7/8 x 9 3/8 in. ( 37.8 x 23.8 cm )
mat: 19 1/8 x 14 1/4 in. ( 48.6 x 36.2 cm )
Credit Line:
Gift of Charles MacKubin Lefferts
Object Number:
1922.145
Marks:
signature: lower left: "Chas M. Lefferts"
Inscriptions:
Signed at lower left in brown watercolor: "Chas. M. Lefferts"; inscribed at lower center: "Parade Dress 1776"; along upper edge: "2d Canadian Regt. (Congress's Own) Col. Moses Hazen Corporal, Light Inf. Company "
Gallery Label:
This is one of the original studies by Lefferts for his landmark Uniforms of the American, British, French, and German Armies in the War of the American Revolution, 1775-1783, published by the Society in 1926. The result of a lifetime of research by the artist and author, this volume was the first major published treatise on regimental uniforms of the Revolutionary war.
Date Begin:
0
Date End:
1922
eMuseum Object ID:
38037
Due to ongoing research, information about this object is subject to change.
St. Mark's Church, New York City
Classification:
Date:
1898
Medium:
Black ink and wash, white gouache, and graphite on board
Dimensions:
Overall: 9 5/8 x 12 1/4 in. ( 24.4 x 31.1 cm )
mat: 14 x 18 in. ( 35.6 x 45.7 cm )
Credit Line:
Gift of Samuel Verplanck Hoffman
Object Number:
1921.119
Marks:
inscribed: lower right: "St. Mark's Church, June 1898"
Inscriptions:
Inscribed at lower right in graphite: St. Marks church June 1898"
Gallery Label:
Samuel Verplanck Hoffman, the donor of the sketch, probably purchased it at the sale of the Edward Babcock Holden collection, the American Art Galleries, New York City, on April 10, 1910. Item no. 1989 was described as a "very beautiful was drawing" of St. Mark's Church by August Will. Hoffman donated the items at the time of purchase.
Date Begin:
0
Date End:
1898
eMuseum Object ID:
38036
Due to ongoing research, information about this object is subject to change.
Factoryville, Staten Island, New York
Classification:
Date:
1864-67
Medium:
Watercolor and black ink over graphite on paper
Dimensions:
Overall: 3 7/8 x 6 3/4 in. ( 9.8 x 17.1 cm )
mat: 11 x 14 in. ( 27.9 x 35.6 cm )
Credit Line:
Gift of Samuel Verplanck Hoffman
Object Number:
1912.29
Inscriptions:
Inscribed at lower center outside image in black ink: "FACTORYVILLE."; verso inscribed at upper center in graphite: "West Brighton S I."
Gallery Label:
Located on the north shore of Staten Island and bordering on the Kill van Kull, Factoryville was first shown on a map in 1836, and subsequently appeared on maps of 1850, 1859, and 1860. Its post office was known as North Shore but was changed to West New Brighton in 1871.
Date Begin:
0
Date End:
1864
eMuseum Object ID:
38031
Due to ongoing research, information about this object is subject to change.
Richmond, Staten Island, New York
Classification:
Date:
1864-67
Medium:
Watercolor and black ink over graphite on paper inlaid into another sheet
Dimensions:
Overall: 3 3/4 x 6 1/2 in. ( 9.5 x 16.5 cm )
mat: 11 x 14 in. ( 27.9 x 35.6 cm )
Credit Line:
Gift of Samuel Verplanck Hoffman
Object Number:
1912.28
Inscriptions:
Inscribed at lower center outside image in black ink: "RICHMOND."
Gallery Label:
In this view of the village and county seat from Latourette Hill are the third Richmond County Court House, built in 1837, and, at the right, St. Andrew's Protestant Episcopal church, built in 1709-12 and enlarged in 1743, 1770, and 1807. It was destroyed by fire in 1867.
Date Begin:
0
Date End:
1864
eMuseum Object ID:
38029
Due to ongoing research, information about this object is subject to change.
Mariners' Harbor, Staten Island, New York
Classification:
Highlight:
Not promoted
Date:
1864-67
Medium:
Watercolor and black ink over graphite on paper inlaid into another sheet
Dimensions:
Overall: 3 3/4 x 6 3/4 in. ( 9.5 x 17.1 cm )
mat: 11 x 14 in. ( 27.9 x 35.6 cm )
Credit Line:
Gift of Samuel Verplanck Hoffman
Object Number:
1912.27
Marks:
inscription: lower center: "Mariners Harbor"
Inscriptions:
Inscribed at lower center outside image in black ink: "MARINERS HARBOR"
Gallery Label:
Mariners' Harbor wasa prosperous nineteenth-century fisherman's community on the north shore of State Insland and a home for oystermen who made their living in the nearby waters and resided along the Kill van Kull. This and the following two unsigned Staten Island views are probably originals by H. Knecht for three of seven vignette views which appear on a published lithograph which is given the overall title of Staten Island, N.Y., and is signed at the lower right H. Knecht, Del.
Date Begin:
0
Date End:
1864
eMuseum Object ID:
38025
Due to ongoing research, information about this object is subject to change.
In the Pines Near Lakewood, Number Eleven of a Series of Twelve Depicting the Route of James Hazen Hyde's Four-Horse Coach "Liberty"
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Classification:
Highlight:
Not promoted
Date:
1903
Medium:
Watercolor, gouache, and black ink over graphite on board
Dimensions:
Overall: 17 1/4 x 26 in. ( 43.8 x 66 cm )
mat: 22 x 28 in. ( 55.9 x 71.1 cm )
Description:
One of a series of 12 watercolor scenes depicting the route of Jim Hazen Hyde's four horse coach "Liberty" between New York and its terminus at Lakewood, New Jersey. The coach ran three times a week from the Holland house, at Fifth Avenue and 30th Street, NYC and the Hotel Laurel-In-The-Pines, Lakewood, a distance of 79 miles taking approximately 9 hours and utilizing up to eleven teams of horses.
Credit Line:
Bequest of James Hazen Hyde
Object Number:
1960.38
Marks:
signature: lower right
Inscriptions:
Signed at lower right in brown watercolor: "Max Klepper"; verso inscribed along upper edge in black ink: "No 11 In the Pines near Lakewood"
Gallery Label:
This is one of a set of twelve watercolors commissioned by James Hazen Hyde (1876-1959) of Mr. Hyde's four-horse coach "Liberty" that depicts scenes along the road on the 1903 run between New York and Lakewood. The society also owns an original illustration by Edward Penfield (q.v.) for use on the poster advertising this route (1947.90). The distance covered by the coach was seventy-nine miles, and eleven teams of horses were used daily.
Date Begin:
0
Date End:
1903
eMuseum Object ID:
38024
Due to ongoing research, information about this object is subject to change.
Sketch of a Seated Woman, from the Economical School Series
Classification:
Highlight:
Not promoted
Date:
c. 1810-14
Medium:
Graphite on beige paper
Dimensions:
Overall: 7 7/8 x 4 7/8 in. ( 20 x 12.4 cm )
Description:
Figure
Credit Line:
Purchase
Object Number:
1953.274s
Marks:
inscription: center, brown ink: "amelie"
Inscriptions:
Inscribed at lower left in brown ink: "amélie"
Gallery Label:
This sketch is one of nineteen drawings made by the baroness at the Economical School (Ecole Economique) which Baron Hyde de Neuville was instrumental in founding in New York in 1810 "to promote instruction, to render it economical, and to afford some education to the children of French emigrants and other strangers." The sketches represent students and others on the premises in various poses of study and daily activity.
Provenance:
De Neuville family, France; E. De Vries, Paris, 1928; Columbia University Press Book Store, NYC, 1929; Old Print Shop, NYC, 1953
Date Begin:
0
Date End:
1810
eMuseum Object ID:
38022
Due to ongoing research, information about this object is subject to change.
Portrait of a Mexican Sailor on the "Amigo Protector"
Classification:
Highlight:
Not promoted
Date:
1814
Medium:
Watercolor, graphite, and touches of black ink on paper
Dimensions:
Overall: 7 1/2 x 6 1/4 in. ( 19 x 15.9 cm )
mat: 14 x 11 in. ( 35.6 x 27.9 cm )
Description:
Portrait
Credit Line:
Purchase
Object Number:
1953.283
Marks:
inscription: lower, brown ink: "Mattelot, Mexicain de l'amigo Protector Juin 1814"
Inscriptions:
Inscribed below image in brown ink: "Mattelot [sic Matelot] Mexicain de l'amigo Protector Juin 1814 --"
Provenance:
De Neuville family, France; E. De Vries, Paris, 1928; Columbia University Press Book Store, NYC, 1929; Old Print Shop, NYC, 1953
Date Begin:
0
Date End:
1814
eMuseum Object ID:
38019
Due to ongoing research, information about this object is subject to change.
Woman Sewing, from the Economical School Series; verso: sketch of a scrubwoman
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Classification:
Highlight:
Not promoted
Date:
c. 1810-14
Medium:
Graphite on light blue paper
Dimensions:
Overall: 7 1/2 x 5 3/4 in. ( 19 x 14.6 cm )
Description:
Figure
Credit Line:
Purchase
Object Number:
1953.274r
Marks:
inscription: lower center, ink: "Amelic/New York"
Inscriptions:
Inscribed at lower left in brown ink: "Amélie / new york"
Gallery Label:
This sketch is one of nineteen drawings made by the baroness at the Economical School (Ecole Economique) which Baron Hyde de Neuville was instrumental in founding in New York in 1810 "to promote instruction, to render it economical, and to afford some education to the children of French emigrants and other strangers." The sketches represent students and others on the premises in various poses of study and daily activity.
Provenance:
De Neuville family, France; E. De Vries, Paris, 1928; Columbia University Press Book Store, NYC, 1929; Old Print Shop, NYC, 1953
Date Begin:
0
Date End:
1810
eMuseum Object ID:
38017
Due to ongoing research, information about this object is subject to change.


