Ball Players (Three Men [Choctaw, Ojibway, and Sioux])

Classification: 
Date: 
1866-68
Medium: 
Graphite and black ink on card
Dimensions: 
Overall: 18 3/8 x 24 1/8 in. ( 46.7 x 61.3 cm )
Description: 
Ethnography. Studies of Native Americans: showing three male members of the Choctaw, Ojibbeway and Sioux tribes playing sports with Lacrosse-like nets and rackets; one player has a ceremonial tail-like ornament hanging from his back
Credit Line: 
Purchased by the Society
Object Number: 
1872.23.83
Marks: 
inscriptions: Signed
Inscriptions: 
Signed at right inside image in black ink: "Geo. Catlin"; inscribed at upper center outside image in black ink over graphite: "Pl. 83. / Ball Players"; at lower border outside image in black ink: "275 277 276"
Provenance: 
The artist's collection; Francis Putnam Catlin, the artist's brother, serving as agent to George Henry Moore, acting on behalf of N-YHS
Date Begin: 
0
Date End: 
1868
eMuseum Object ID: 
54824
Due to ongoing research, information about this object is subject to change.

The Lost Fifth Avenue Stage No. 3033 Accounted For

Classification: 
Date: 
c. 1900
Medium: 
Black ink and graphite on board
Dimensions: 
10 5/8 x 14 1/2 in.; mat: 22 x 16 in.
Description: 
Illustration with Inscription: "Its Last Stage was made right to Heaven where St. Peter, horrified, let it in."
Object Number: 
INV.15554
Inscriptions: 
Signed at lower right in black ink: "GRAY-PARKER"; inscribed at lower left (crossed out in graphite): "THE LOST 5TH AV. STAGE No. 3033 ACCOUNTED FOR: / ITS LAST STAGE WAS MADE RIGHT TO HEAVEN, / WHERE ST. PETER, HORRIFIED, LET IT IN."; various inscriptions in image
Gallery Label: 
This shows the front and rear exterior elevations of what is presumed to be a schoolhouse.
Date Begin: 
0
Date End: 
1900
eMuseum Object ID: 
54814
Due to ongoing research, information about this object is subject to change.

Arapaho (Woman and Two Men)

Classification: 
Date: 
1866-68
Medium: 
Graphite and black ink on card
Dimensions: 
Overall: 18 3/8 x 24 1/8 in. ( 46.7 x 61.3 cm )
Description: 
Ethnography. Studies of Native Americans: two males, one with a rifle or musket and one wearing a bear-skin shawl with visible claws and a woman with an infant
Credit Line: 
Purchased by the Society
Object Number: 
1872.23.79
Marks: 
inscriptions: Signed
Inscriptions: 
Signed at right inside image in black ink: "Geo. Catlin"; inscribed at upper center outside image in black ink over graphite: "Pl. 79. / Arapaho"; at lower border outside image in black ink: "163 161 162"
Provenance: 
The artist's collection; Francis Putnam Catlin, the artist's brother, serving as agent to George Henry Moore, acting on behalf of N-YHS
Date Begin: 
0
Date End: 
1868
eMuseum Object ID: 
54767
Due to ongoing research, information about this object is subject to change.

Creek (Woman, Child, and Two Men)

Classification: 
Date: 
1866-68
Medium: 
Graphite and black ink on card
Dimensions: 
Overall: 18 3/8 x 24 1/8 in. ( 46.7 x 61.3 cm )
Description: 
Ethnography. Studies of Native Americans: 2 males, one with a rifle or musket, a female and a child
Credit Line: 
Purchased by the Society
Object Number: 
1872.23.64
Marks: 
inscriptions: Signed
Inscriptions: 
Signed at right inside image in black ink: "Geo. Catlin"; inscribed at upper center outside image in black ink over graphite: "Pl. 64. / Creek"; at lower border outside image in black ink: "217 1/2 216. 217."
Provenance: 
The artist's collection; Francis Putnam Catlin, the artist's brother, serving as agent to George Henry Moore, acting on behalf of N-YHS
Date Begin: 
0
Date End: 
1868
eMuseum Object ID: 
54766
Due to ongoing research, information about this object is subject to change.

Chayenne (Cheyenne Three Men)

Classification: 
Date: 
1866-68
Medium: 
Graphite and black ink on card
Dimensions: 
Overall: 18 3/8 x 24 1/8 in. ( 46.7 x 61.3 cm )
Description: 
Ethnography. Studies of Native Americans: Two male warriors with spears
Credit Line: 
Purchased by the Society
Object Number: 
1872.23.49
Marks: 
inscriptions: Signed
Inscriptions: 
Signed at lower right inside image in black ink: "Geo. Catlin"; inscribed at upper center outside image in black ink over graphite: "Pl. 49. / Chayenne"; at lower border outside image in black ink: "151 150 149"
Provenance: 
The artist's collection; Francis Putnam Catlin, the artist's brother, serving as agent to George Henry Moore, acting on behalf of N-YHS
Date Begin: 
0
Date End: 
1868
eMuseum Object ID: 
54764
Due to ongoing research, information about this object is subject to change.

Mandan (Mah-to-toh-pa, the War Chief, His Wife, and Child)

Classification: 
Date: 
1866-68
Medium: 
Graphite and black ink on card
Dimensions: 
Overall: 18 3/8 x 24 1/8 in. ( 46.7 x 61.3 cm )
Description: 
Portrait. Studies of Native Americans: Warrior Chief Mah-to-toh-pa, his wife and a young boy
Credit Line: 
Purchased by the Society
Object Number: 
1872.23.30
Marks: 
inscriptions: Signed
Inscriptions: 
Signed at lower right inside image in black ink: "Geo. Catlin"; inscribed at upper center outside image in black ink over graphite: "Pl. 30. / Mandan"; at lower border outside image in black ink: "98 99"
Provenance: 
The artist's collection; Francis Putnam Catlin, the artist's brother, serving as agent to George Henry Moore, acting on behalf of N-YHS
Date Begin: 
0
Date End: 
1868
eMuseum Object ID: 
54763
Due to ongoing research, information about this object is subject to change.

The Morning After the Battle of July 28th, The Taking Up of Reb's Dead and Wounded by the Union Soldiers

Classification: 
Date: 
29 July 1864
Medium: 
Graphite, brown ink wash, and white chalk on gray paper
Dimensions: 
Overall: 10 x 14 in. ( 25.4 x 35.6 cm )
Description: 
Civil War Drawings Collection. Probably a scene from General Sherman's Atlanta Campaign, the Battle of Ezra Church, 28 July 1864. Sherman's army stretched around the northern defenses of Atlanta. He decided to cut off the railroad supply lines from Macon, thus forcing the defending army to withdraw without a direct assault. Sherman sent his easternmost army, under Maj. Gen. Howard to the far western side of Atlanta where the railroad entered the city. Defending General Hood, anticipating Sherman's maneuver, moved his troops out to oppose the Union army. Hood planned to catch them completely by surprise. Although Hood's Confederate troops were outnumbered by the main Union army, he calculated that a surprise attack against an isolated portion of the enemy could succeed. The armies met on the afternoon of 28 July at a chapel called Ezra Church. Unfortunately for Hood, there was no surprise for Howard, who had predicted such a maneuver based on his knowledge of Hood from their cadet days at West Point. Howard's troops were already waiting in their trenches when Hood reached them. The Confederate army attacked, but was repulsed by the Union Army's improvised breastwork of logs and rails. The rebels were defeated, although they managed to stop Howard from reaching the railroad line.
Credit Line: 
James B. Wilbur Fund
Object Number: 
1945.580.105
Inscriptions: 
Verso inscribed and signed at left vertically in brown ink: "The morning after the / battle of the 28 July -- taking up of / Reb's dead & wounded by the union soldiers / by J.F.E. Hillen"
Provenance: 
John T. Kavanaugh Collection, Rutherford, New Jersey, 1945
Date Begin: 
0
Date End: 
1864
eMuseum Object ID: 
54644
Due to ongoing research, information about this object is subject to change.

Illustration of United States Naval Vessel

Classification: 
Date: 
1904
Medium: 
Gouache, black ink, and graphite on board
Dimensions: 
15 3/4 x 25 7/8 in.
Description: 
Illustration: A large battleship with four smokestacks and two towers.
Object Number: 
Z.3381
Inscriptions: 
Signed and inscribed at lower left in white gouache: "C. MCKNIGHT-SMITH 1904"
Gallery Label: 
Broad Street is at the left and Nassau Street at the right. the view shows the Sub-Treasury Building and the bronze statue of George Washington unveiled on november 26, 1883. Trinity Church on Broadway is seen at the head of Wall Street.
Date Begin: 
0
Date End: 
1904
eMuseum Object ID: 
54611
Due to ongoing research, information about this object is subject to change.

Perspective View of the Rear of the Defensive Traverse opposite the Main-Sally-Port on the Line of Fortification at Hilton Head, South Carolina

Classification: 
Date: 
15 March 1863
Medium: 
Black ink and wash on lined paper
Dimensions: 
Overall: 8 x 12 1/2 in. ( 20.3 x 31.8 cm )
Description: 
Civil War Drawings Collection. One of several earthwork fortifications constructed during the occupation of Hilton Head, the largest and most permanent called Fort Howell, in 1864. Fort Howell was constructed by Union Forces occupying Hilton Head Island and was one of the final fortifications to be built during the war. The men of the 32nd U.S. Colored Infantry Volunteers labored to complete the fort in the fall of 1864, to protect nearby Mitchelville, a freedman's town of newly emancipated slaves. The "Traverse" was an earthwork that protected troops inside from enemy assaults on the fort's entrance. Pentagonal in shape, the earthwork measured approximately 525 by 400 feet and reached a height of 23 feet. Four magazines, protected by earth mounds, housed powder and shot for up to 27 guns. The exterior of the fort featured a moat and wooden palisades. The area was directly adjacent to the fort walls, further protected by guns mounted in bastions.
Credit Line: 
James B. Wilbur Fund
Object Number: 
1945.580.67
Inscriptions: 
Inscribed and signed at lower right in black ink: "drawn by H. Mehles / 2nd Lieut. Comp. B. / N.Y. Vol. Engrs. / Hilton Head / March 15.63."; at upper center in black ink and wash: "Perspective View / of the Defensive Traverse opposite the Main --Sally --Port / on the line of fortification at Hilton Head, S.C."
Provenance: 
John T. Kavanaugh Collection, Rutherford, New Jersey, 1945
Date Begin: 
0
Date End: 
1863
eMuseum Object ID: 
54569
Due to ongoing research, information about this object is subject to change.

The Village House, Englishtown, New Jersey

Classification: 
Date: 
1936
Medium: 
Black ink over graphite with scratching out and touches of gouache on Bristol Board
Dimensions: 
Overall: 22 1/8 x 14 7/8 in. ( 56.2 x 37.8 cm )
Description: 
Architecture
Credit Line: 
Gift of Thomas W. Dewart
Object Number: 
1981.181
Marks: 
Signed: at lower left :" Inscribed: "Englishtown 1936"
Inscriptions: 
Signed and inscribed at lower left inside image in black ink: "Vernon Howe Bailey / Englishtown 1936"; at lower right outside image in graphite: "Englishtown -- The Village House."
Date Begin: 
0
Date End: 
1936
eMuseum Object ID: 
54568
Due to ongoing research, information about this object is subject to change.

Pages

Subscribe to RSS - DRAWINGS
Creative: Tronvig Group