Bobby Riggs signature printing gel

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Mylar
Dimensions: 
Overall: 5 1/2 × 8 in. (14 × 20.3 cm)
Place Made: 
Description: 

Mylar screen print negative, Bobby Riggs signature.

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.5
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79710
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Sugar Daddy caricature printing gel

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Mylar
Dimensions: 
Overall: 12 × 5 1/4 in. (30.5 × 13.3 cm)
Place Made: 
Description: 

Mylar screen print positive, Bobby Riggs "Sugar Daddy" caricature.

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.4b
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79715
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Sugar Daddy caricature printing gel

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Mylar
Dimensions: 
Overall: 12 1/2 × 7 1/8 in. (31.8 × 18.1 cm)
Place Made: 
Description: 

Mylar screen print negative, Bobby Riggs "Sugar Daddy" caricature.

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.4a
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79709
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Sugar Daddy printing gel

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Mylar
Dimensions: 
Overall: 6 1/2 × 11 3/4 in. (16.5 × 29.8 cm)
Place Made: 
Description: 

Mylar screen print negative, "Sugar Daddy"

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.3a
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79708
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Tennis racket head cover

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Textile
Dimensions: 
Overall: 15 1/4 × 11 1/2 × 14 in. (38.7 × 29.2 × 35.6 cm)
Place Made: 
Description: 

Yellow cloth tennis racket head cover with red piping, [no printing]

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.2
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79707
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Sugar Daddy tennis racket head cover

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Textile
Dimensions: 
Overall: 15 1/4 × 11 1/2 × 14 in. (38.7 × 29.2 × 35.6 cm)
Place Made: 
Description: 

Yellow cloth tennis racket head cover with red piping, printed with Bobby Riggs “Sugar Daddy” caricature, and Riggs’ signature.

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.1
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79706
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Sugar Daddy printing gel

Is owned by NYHS: 
Yes
Object name: 
Date: 
1973
Medium: 
Mylar
Dimensions: 
Overall: 4 3/4 × 10 1/8 in. (12.1 × 25.7 cm)
Place Made: 
Description: 

Mylar screen print positive, "Sugar Daddy"

Credit Line: 
Gift in honor of Harriet Spiller, Ulla Crickard, and the Net Set, Amherst, NY
Object Number: 
2017.37.3b
Marks: 
Inscriptions: 
Gallery Label: 

On September 20, 1973, the young tennis star Billie Jean King faced off against the once top-ranked champion Bobby Riggs in the “Battle of the Sexes,” beating him in three straight sets. The highly publicized match was viewed by an estimated 90 million people around the world.

During the match Riggs sported a yellow Sugar Daddy jacket, earning $50,000 from Nabisco. Sugar Daddy, a caramel bar on a stick packaged in a bright yellow wrapper with red printing, was christened in 1932 (renamed from the original “Papa Sucker”). The term “sugar daddy” has also been used since the 1920s to describe an older, wealthy man who supports or lavishes gifts on a younger woman. At the start of the Battle of the Sexes, Riggs, “the world's most celebrated male chauvinist pig,” presented King with a six-foot-long Sugar Daddy. As he quipped, it was "the largest sucker I could find for the biggest sucker I know." She countered by presenting him a squealing piglet, a symbol of male chauvinism.

American manufacturers seized on the merchandising opportunities, churning out Sugar Daddy-themed ephemera alluding to the famous “battle.” Nabisco (Welch’s brand) hired the Mortimer Spiller Company to create tennis racket covers in the familiar bright yellow color with red piping and printing, featuring a caricature of Riggs with a Sugar Daddy body and his signature below.

Mortimer Spiller Company, run by Mortimer Spiller (1922–2014) and his wife Harriet Enid Spiller (1926–2008), was in business from the late 1940s through the early 1990s, initially in New York City, then in Batavia and Le Roy, New York. They ultimately established their headquarters in Eggertsville, a suburb of Buffalo, and maintained a manufacturing plant in Batavia. The Spillers manufactured advertising and sales promotion products for companies of all sizes.

Provenance: 
Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1973
eMuseum Object ID: 
79714
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Mallet noise maker

Is owned by NYHS: 
Yes
Object name: 
Date: 
probably 1960s
Medium: 
Painted metal and plastic
Dimensions: 
Overall: 3 1/4 × 4 3/4 × 2 1/4 in. (8.3 × 12.1 × 5.7 cm)
Place Made: 
Description: 

Mallet-shaped noise maker with design of partying girls and musicians on light blue background.

Credit Line: 
Gift of Gloria Tomba Daini in honor of her father Amedeo Tomba
Object Number: 
2017.14.24
Marks: 
U. S. / METAL TOY / MFG. CO. / MADE IN U.S.A.
Inscriptions: 
Gallery Label: 

The nightclub El Morocco first opened as a midtown New York speakeasy in 1931 during Prohibition. Following the repeal of Prohibition in 1933, the club became one of the city’s most popular and glamourous locales. It was frequented by international luminaries, New York City socialites, movie and stage stars (Rudy Vallee, Gary Cooper, Errol Flynn, Gloria Swanson, and Fred Astaire among them), directors, celebrated journalists, sports champions, and other dignitaries such Franklin D. Roosevelt, and, later, John F. Kennedy.

The club was located at 154 East 54th Street until 1960, when its proprietor, John Perona, moved it to 307 East 54th Street. Its interior was nearly as famous as its clientele. The club’s ceiling was painted a deep, “glittering” blue, and its furnishings and tableware sported a bold blue and white zebra pattern. After Perona died in 1961, El Morocco closed and reopened several times under different owners into the 1990s.

Provenance: 

Donor received the objects through inheritance.

Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1969
eMuseum Object ID: 
78974
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Bell noise maker

Is owned by NYHS: 
Yes
Object name: 
Date: 
probably 1960s
Medium: 
Painted metal and plastic
Dimensions: 
Overall: 3 × 3 3/4 × 3 in. (7.6 × 9.5 × 7.6 cm)
Place Made: 
Description: 

Closed bell noise maker with dancing couples on red background.

Credit Line: 
Gift of Gloria Tomba Daini in honor of her father Amedeo Tomba
Object Number: 
2017.14.23
Marks: 
Inscriptions: 
Gallery Label: 

The nightclub El Morocco first opened as a midtown New York speakeasy in 1931 during Prohibition. Following the repeal of Prohibition in 1933, the club became one of the city’s most popular and glamourous locales. It was frequented by international luminaries, New York City socialites, movie and stage stars (Rudy Vallee, Gary Cooper, Errol Flynn, Gloria Swanson, and Fred Astaire among them), directors, celebrated journalists, sports champions, and other dignitaries such Franklin D. Roosevelt, and, later, John F. Kennedy.

The club was located at 154 East 54th Street until 1960, when its proprietor, John Perona, moved it to 307 East 54th Street. Its interior was nearly as famous as its clientele. The club’s ceiling was painted a deep, “glittering” blue, and its furnishings and tableware sported a bold blue and white zebra pattern. After Perona died in 1961, El Morocco closed and reopened several times under different owners into the 1990s.

Provenance: 

Donor received the objects through inheritance.

Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1969
eMuseum Object ID: 
78973
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

Bell noise maker

Is owned by NYHS: 
Yes
Object name: 
Date: 
probably 1960s
Medium: 
Painted metal and plastic
Dimensions: 
Overall: 3 × 3 3/4 × 3 in. (7.6 × 9.5 × 7.6 cm)
Place Made: 
Description: 

Closed bell noise maker with polka dots on white background.

Credit Line: 
Gift of Gloria Tomba Daini in honor of her father Amedeo Tomba
Object Number: 
2017.14.22
Marks: 
Inscriptions: 
Gallery Label: 

The nightclub El Morocco first opened as a midtown New York speakeasy in 1931 during Prohibition. Following the repeal of Prohibition in 1933, the club became one of the city’s most popular and glamourous locales. It was frequented by international luminaries, New York City socialites, movie and stage stars (Rudy Vallee, Gary Cooper, Errol Flynn, Gloria Swanson, and Fred Astaire among them), directors, celebrated journalists, sports champions, and other dignitaries such Franklin D. Roosevelt, and, later, John F. Kennedy.

The club was located at 154 East 54th Street until 1960, when its proprietor, John Perona, moved it to 307 East 54th Street. Its interior was nearly as famous as its clientele. The club’s ceiling was painted a deep, “glittering” blue, and its furnishings and tableware sported a bold blue and white zebra pattern. After Perona died in 1961, El Morocco closed and reopened several times under different owners into the 1990s.

Provenance: 

Donor received the objects through inheritance.

Bibliography: 
Prior Exhibitions: 
Date Begin: 
0
Date End: 
1969
eMuseum Object ID: 
78972
Exclude from TMS update: 
3
Due to ongoing research, information about this object is subject to change.

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Creative: Tronvig Group